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Recent Posts
- October 2025 – Being in Falling / Sein im Fallen No. 2
- november 2024 – Sein im Fallen (Being in Falling) @ Parkstudio Berlin
- april 2019 – [not a performance] in the morning hours, Berlin
- july 2024 – Audience Workshop // New Chamber Choir Berlin
- february 2025 – Residency Ars Bioarctica in Kilpisjärvi (FI)
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Category Archives: Forthcoming
October 2025 – Being in Falling / Sein im Fallen No. 2
WORKSHOP für Transformationsaktivist*innen (In German. If you are an English speaker and would like to participate please get in touch and we will figure it out). In Zusammenarbeit mit Marcus Hildebrandt. Samstag und Sonntag, 11. und 12. Oktober 2025 … Continue reading
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March 2026 – Celebrating Female* Lineage No. 3
WORKSHOP & GATHERING on SATURDAY, 07.03.2026, 10:30 am – 5:30 pm Arrival to workshop site: 10:00 am LOCATION: Lake Studios, Scharnweberstrasse 27, 12587 Berlin-Friedrichshagen We continue with the series ❤️. Let’s meet in the studio on March 7th to reflect … Continue reading
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2025 – Publication (book chapter): Dancing with/in Atmospheres
A chapter in the publication following Contingent Agencies, long term artist research project & interdisciplinary symposium by Nikolaus Ganterer & Alex Arteaga. Coming soon : )!
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2024 – Publication (video essay): Dancing with World
Towards the end of 2024 my video-essay “Dacing with World” was published as part of ‘Listening With Earth’ – the companion issue for ‘Ecologies of Embodiment’ in the Journal of Embodied Research (JER) 7:2 (2024), co-edited by Doerte Weig and … Continue reading
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Dancing Outdoors! – Contemporary Pioneers
2022 six month of intensive research have been funded by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media within the progam NEUSTART KULTUR. I continue to work on the project and a corresponding … Continue reading
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SUOMENLINNA | GROPIUS (2021) – MY BOOK
Published by Triarchy Press, designed by Yimeng Wu and based on my postdoctoral research on intermateriality in outdoor performance. Supported by Uniarts Helsinki’s Centre for Artistic Research as well as the Publishing Committee of Uniarts and the Theatre Academy TEAK. … Continue reading
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